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Simple

3/30/2018

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Benni Salazar had two things on his mind upon exiting the coffee shop and crossing the three blocks and two crosswalks to the Laurette: the obnoxious flittering of the sparrows above and the way Lacey's words sat on his thoughts, like the way a bad meal sits in your gut.

"You're kind of...simple, aren't you?" She said. Again and again she spoke, her words repeating as he walked, as he stopped at an intersection, the blur of cars passing on the street—white, silver, orange, red, yellow—streaks of color and noise and fragrant, noxious fumes. Kind of simple. Simple like the sky whose heavy grey hue hung high and absent, distant. Simple like the withered brown husks of weeds poking through the cracks in the pavement, or the bare limbs of the dead trees, scraggly and reaching. A simple that retained an echoing ugliness.

He was walking again, wishing he wasn't simple. It wasn't his fault he was simple. Overhead, a sparrow lighted on a telephone wire, cocked its small round head, and bleated into the day. Passing cars drowned out the majority of its statement, and Benni wondered why they bothered, why they never stopped singing, twittering at his window, waking him in the near-dark of 6am with their incessant speech. But now, the world was louder—so much louder—and the little twittering song was nothing to the buzz of a motor or the roar of a diesel engine.

Soon his shift would begin and he wouldn't have to hear those birds. You couldn't hear them in the lobby of the Laurette, at the front desk where his music—Gershwin mostly, or Copeland, or Wagner, depending on how he felt—played to drown his thoughts between the questions and concerns of the dozen or so guests he'd see in a day. Simple. He listened to music and composed his own on blank notebook paper or in the gaps of his thoughts, and if the music was simple—if he was simple—then it wasn't his fault, was it?

It wasn't his fault his family had been so poor, that his parents divorced, that his peers at school all descended into confused, pubescent madness while he imagined he was the only one in the world that retained some measure of sanity, that all the while—while the whole world twisted into a whirlwind—Benni plugged in to the simple, safe currents of his own mind and dwelt there. He had made it through everything through his own force of will, had he not? He had gotten himself here, got his own apartment—in and out with simpering strangers rather than the aunts and uncles and grandparents and cousins he was accustomed to. He had put himself through school. And maybe all he did was work and study, and that was simple, and maybe he was alone, and that was simple too, but hadn't it been the getting there that had been complex, as bustling and complicated as a piece by Stravinsky or Wagner? Wasn't the result something grander—even if it was simple—like the peace that comes from just listening?

He clocked in, slumped behind the desk, sat his bag down, and glanced around the dim, empty lobby with its fluorescent lights, shaded lamps and beige tiling. He ran a piece of music he'd been toying with through his head.

A noise interrupted his thoughts: the flippant twittering of birdsong. Outside, a sparrow had made a nest in the awning over the front doors, finding a way to make itself heard even here.
He started the composition over in his mind, and wasn't the melody simple, didn't it sound—even in part—like the twitter of that birdsong?

He set his phone on the desk beside him and barely looked as he typed the message: What did you mean last night when you said I was simple?

Between the noise of his thoughts, he didn't want to hear the birdsong, so he let Pandora choose something for him on the desktop.

Her reply came quickly.

just that you know what you want. like you have simple clear goals. not like me I don't know what I'm doing

Outside, the sparrow flitted and jumped, issuing long chirruping bursts of song that came in through the glass and over the Vivaldi playing through the lobby speakers.

And Benni thought that simple was what he wanted in his piece. That there was nothing wrong with simple.

He texted back, again barely looking at the phone.

You want to get coffee or something sometime?


In his head, his piece smoothed itself out, the problematic measures falling or rising into place as the sparrow jumped and flew and sang outside, itself the song. Benni turned Vivaldi down to a minimal hum and let his thoughts and music crescendo with the bliss that comes from peace of self, as rare and difficult to capture as the sound of a sparrow in the confines of song.


Author

Jake Nuttall is a writer and technical communication student at the University of Idaho. His short novel, Wanderer and Wasteland, is available on Amazon.com. He hopes to publish more fiction in the near future.

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Please submit more work!

3/28/2018

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Hello, Kendra here, editor of Little Rose. You may have noticed we've gone a few days without publishing something new. We haven't been getting very many submissions the past few weeks. Please, please, send us your work! We don't bite, I promise!
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Working Title

3/25/2018

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She opened her eyes and the stress of remembering that the stress was yet to abate began to set in once more. It’s not that she wouldn’t mind putting a swift end to things. It’s just that suicide’s never really been considered an attractive option. The word itself, she thinks; something too calculated, textbook about it. And actually, she just sees it as another contributor (to the stress), like some asshole with a big dick who she knows’ll give it to her good, but would obviously still be a negative in the expected value department. It sits there today, taunting – not the asshole (or the dick), but the idea – and it’s just one more thing she needs to forget so she can get her ass out of bed.
               
She prefers an admittedly below average cup of coffee, satisfied with its ability to avoid pretense while still getting the job done. She’ll even use her Keurig when she’s feeling particularly misanthropic. Sipping her breakfast, she often wonders why she can’t have had a life in Italy or France – a city or place where worries are quashed by the beauty that imbues their quotidian. The glamour and grandeur of life in that part of the world, she knows, is purchased with a currency apart from money (there’s nothing romantic about money). It’s begotten via one’s capacity for reason and rational thought, microinteractions and kindness. And ultimately, and perhaps most importantly, the capacity for leisure: a lack for which she seriously resents her fellow compatriots. Now of course she’s not exactly reached the ‘9 - 5’ stages of life just yet, but she imagines the whole affair taking a better trajectory on a different landmass. To be sure, she’s never even left the country. And while it doesn’t seem she has plans to change that so quickly, she can’t help thinking she’d flourish. Pitiably, she has to tell herself to quit this line of thinking too most mornings. The pummeling awareness of just how much this is never going to happen only makes things worse.
               
She has, in a kind of upside, however, always been rather adept at keeping her head down, pulling herself up by the bootstraps just enough to retain a modicum of purpose and self-respect (not that those things have much value coming from the service gig she’s always saying she needs to quit yesterday). A large share of this dubious positivity is tapped by way of the daily, meticulous application of her makeup. The routine is as integral to whatever success or functionality she might hope to channel as is the amount of sleep she gets, or food she eats. There’s a clever parallel to be drawn somewhere noting the irony in her taking this made-up face to a job where she rarely, if ever, has cause to exert an authentic self anyway. She doesn’t care which version she gives them and she doesn’t care who they get. All that matters, all that ever really matters, is that she’s done some honest good work at making her life just a little easier to bear. People are simply moving parts in and out of the equation of her own happiness, props in service of a distraction from the gloomy cloud daily looming overhead. She won’t cop to it, but growth and personal development aren’t exactly beacons of inspiration in her day-to-day decision-making. You simply contribute to her peace of mind or you’re a force against it.
                
It’s no secret a person preoccupied in such a way can do alright in the world. And make no mistake she does quite well for herself as far as fiscal matters are concerned. Where she wishes things could go smoother might be at the bank, often wondering what it is strippers do with all their stage take. Having said that, if a genuine problem does exist, it’s that someone like herself never really has anything to save for. Linear goal-making has no place in a life beset by cyclic paralysis and self-sabotage. A stasis of apartment, a good meatball every now and then, and a steady inflow of new dresses she swears have resale value is all she needs. It would be nice to report that these seemingly individual and relatively innocuous lifestyle choices yield little collateral damage, but that is sadly not the case. 
               
Things begin to get rocky for her whenever she feels she’s being strong-armed into becoming somehow accountable to another (typically a boy, but this doesn’t exclude female companions either). Since she has no legitimate expectations of herself, that anyone else should have any of her is more than just unsettling, it’s an affront. Her broody solitude is of far too much value. (It’s what makes whining about all her loneliness possible in the first place!) She has the sad history of never having experienced the unconditional love she irrationally requires of every man she meets. And it’s not that she thinks she’s such a prize, she knows she is, damnit. And it’s as such she demands carte blanche and the kind of leniency for her behavior that says ‘I love you in spite of your faults,’ despite very much not giving a shit how it is she affects them.
             
At this point, the scarring she’s endured from, what, her father walking out on her young and her mother setting new bars for sociopathic lunacy with each passing day, have all left her more or less emotionally inept. She gives far better hugs to dogs than she does humans. She sneers at remorse and regret like they carry with them some kind of disease. And it’s thus that she never grows (emotionally). And, because she doesn’t grow (emotionally), she’s unable to grasp what things like love and loyalty even are. Except, maybe that’s setting the mark too high. A meaningful relation of any kind would please her supporters. But, no. Her signature shortcoming is not the way she treats people like shit. It’s the way she marvels at how it is they all keep screwing her over, disappointing her in all the myriad ways they do.
            
Her therapist has, as gently as she could, tried to apprise her of these borderline elements to her personality. It doesn’t take a Talmudic study of Freud to comprehend the present reaping her childhood sowed. And it’s not something she herself denies, or is even all too stubborn about really. She kind of just coldly accepts it, like she does cold weather. In a word, she puts up with it – begrudgingly. She isn’t religious; she can’t exactly buy the notion that she’s somehow fated for doom like that. Then again, she isn’t much of a philosopher either. Nihilism makes her sleepy. People have to stay alive, don’t they? So what’s the use of expending all that energy on rueful introspection, she wonders.
               
But so it’s at this precipice that she finds herself most mornings, today not favoring an exception. She’s dying to turn it around. Well, she’s dying anyway. Really she’d love to just have someone turn it around for her. She’s a lazy cuss, let’s not sugarcoat it. And it’s not like she’s blind to the benefits of proactivity. She just feels it’s become too her now. To go and do anything about changing the menu at this point would be fruitless and stupid. She feels she’s more or less become who she’s going to be. Scared of drugs, she’s made a conscious decision to get high off her sobriety instead. She saves benders for the mall and the grocery store. You’ll never catch her cooking, but she’ll buy the most expensive cuts of meat for the way they look in her fridge. Vanity, for most, fills the space between shame and the actual perception others have of them. For our troubled gal though, there are no on-lookers, not really anyway. She invites as little observation as possible, defending against scrutiny on whatever front she may have left unguarded. And that which she does invite, trust, will not have the requisite capacity for any sort of critical analysis anyhow. It’s in this manner that she exposes herself to the least amount of risk that her true colors otherwise will out.
              
The poor girl…   
             
At her funeral the question will be asked as to the degree of her belovedness. Most will be sad less for how much they loved and miss her, and more for their wonderment as to whether or not she knew they did, or cared to know. It’s hard to imagine a setting more fitting than a secluded getaway six feet under ground, one of them will say. (What could be more emblematic of how aloof she was during the time spent above it?) Another will guiltily reflect on whether or not a dead person can feel better about their situation after the fact. They’ll then tell themselves this one’s better off left unsaid… The more optimal question is whether or not someone has ‘lived a full life,’ as they say. Except, that’s really only to make the people they’ve left behind feel better, isn’t it? After all, she wouldn’t accept such a compliment even if it were paid her. It bastardizes the shortcomings, which, despite the turmoil they produce inside, give her a sense of comfort that she’s at least living her life. Never mind living honestly, or reputably. What’s the point of living if you have to do it like others want you to? And to that end, she’s not sure staying alive keeps at all in line with the credo.
               
The thing about all the tricks with her is that none of them ever really have any magic in them. One often suspects chicanery, but she’s actually much plainer at the surface than she lets on. Yes, she’s like a bad magician that doesn’t know she’s bad. Luckily (for her or the rest of us, who can say), there’s only one trick left. It’s no longer a question of if; it’s a question of how to make it seem as little like ‘statement’ as possible. There is a strict set of parameters limiting the viability of such an outlet being taken. No bridges, no guns. No blood. No evidence suggesting her physical self has at all moved on from the pristine form sitting so firmly in peoples’ minds. But to just disappear? Does she leave a note? She admires good poetry, certainly, but she’s never considered herself much of a lady of letters. She’d have someone write one for her were this not a solo mission. What about an overdose? Eh. She knows it’d just be taken for another trite attempt at the romance of a 27-year-old finish. For starters, she doesn’t even do drugs. Someone is bound to suspect some kind of foul play, and she won’t have her exit sullied like that.
                  
And then, it hits her – Master and Commander.
               
Mr. Hollom – he had it right. He let the ocean do the work for him, the ocean and a cannonball. She likes this idea: cradling a dense, lifeless object as it escorts her soul to an eternally aquatic fate. Drowning is simple, and clean. And surely it’s the least painful…right? When someone’s drowning, they’re just, not going to be alive shortly after it…is how it must go. It’s just a matter of which body of water to give her own to. The Pacific, maybe? On shear size alone it appears most apt to swallow her up and never let her go. Doesn’t she require something a little more peaceful though, tranquil? How would she get out to the middle of the Pacific anyway? (Do oceans even have middles?) It occurs to her that she could always take a cruise. However, if it were a bunch of inane tourists that held claim to her last human contact, she’d probably want to kill herself twice. In fact, she’s starting to think it’s these decisions that are becoming the real reasons for needing to end it. If only she could write the story of her own finale – The Story of a Girl… whose story can’t be finished…because she doesn’t know how…how best to…die.


Author

Adam Merzel is a semi-retired academic living and working in Brooklyn, NY. A writer-poet, you can find his work published in The Menteur magazine, and unpublished, flailing about in various notebooks and flash drives. He aspires to get to all the unread novels on his bookshelf and continue deigning society with a productive presence for as long as he is humanly able.

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Documentality

3/24/2018

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  1. Hope 4 All Treatment Center
Date:  4.11.16, 50 minute session
Client Identification Number #: M4005-64534
Name: Rae Anne Crane
Diagnosis: Axis I: 309.81 Post-Traumatic Stress Disorder, 300.7 Body Dysmorphic Disorder; Axis II: 301.83 Borderline Personality Disorder.
Subjective: “I’m still having nightmares and flashbacks. But I’m eating okay and I haven’t cut myself.”
Objective: R. arrived on time. Clothing two sizes too large for the client, but personal hygiene had improved. States she took all her medication as prescribed. Smiled as she delivered her weekly food and feelings diary. Showed me her completed entries for 12 meals. Reports respecting the terms of the restraining order. Says she has reduced time looking into the mirror to less than an hour a day. Read one chapter of PTSD maintenance text. Reported a feeling of being “unreal” after two pages and stopped reading.
Assessment: Engaged in discussing her spousal abuse history. Reported experiencing insight into the nature of her previous relationship. Said she had confused love and pity, and would be more cautious at who she allows into her life.
Plan: Treatment plan goal 1, refrain from self-harm, continues to be met. Treatment plan goal 2, document progress, continues to be met.
Practitioner:  Sondra Gray, LICSW
  1. Fairfield Apartment Complex, Security Log, Shift Report
Date and time: 4-14-2016, 9:30 P.M.
Incident Location: Apartment 110
Resident: Rayanne S. Crane  
Responders: I called Officer B. Adelman, Danfield County Sheriff, but the perp had left by the time the officer arrived.
      Mr. Raphael Jackson of apt. 108 called the office to report a noise complaint. When I got there, the door was partially open. Mrs. Crane wore just underpants. She held two barbeque tools, a meat fork and a spatula. A half-dressed man she called her “dead husband” held a table leg. Mr. Crane said he was trying to defend himself from her. He put the table leg down and showed me the scratches on his chest.
    Mrs. Crane said that there was a restraining order on Mr. Crane. She admitted she let him in because he said he had won money and wanted to share his winnings. Mr. Crane waved the table leg at me. He said Mrs. Crane had called him and invited him to her home for sex. He said that she scratched him after stealing money from his wallet.
    I told Mr. Crane he had to leave the premises immediately. He said Mrs. Crane had taken his cash and stuffed it in her underpants. He insisted I look for it, but I refused. I told him he had to leave. I threatened to call the sheriff. Within minutes, Mr. Crane was gone. His license plate number is CA 6121EPY. The rest of the night was quiet.
Signature: Rick Victorino.
  1. Bazooms! Sports Bar, Personnel Action Form
Formal Reprimand: Raeanne Crane drew porn images over urinals when she was cleaning the men’s room. She agreed to buy Mark-Off for the walls and remove the graffiti on her own time. She apologized and I know she meant it. I would have fired her but the customers enjoy her personality.
Signature: Rocky McConnell, Shift Manager
Date: 4/16/16
  1. Hope 4 All Treatment Center
 
Date:  4.18.16, 50 minute session
Client Identification Number #: M4005-64534
Name: Rae Anne Crane
Diagnosis: Axis I: 309.81 Post-Traumatic Stress Disorder, 300.7 Body Dysmorphic Disorder; Axis II: 301.83 Borderline Personality Disorder.
     Client called in twenty-four hours prior to her appointment to cancel. Called during her usual appointment time. Client reports an uneventful week. Intends to attend her biological father’s concert on 4.21. I reminded her of her past history with Bill Crane. Client stated she felt attendance could be instrumental to her healing.
Practitioner:  Sondra Gray, LICSW
  1. Excerpt from Revolutionary Rock, the autobiography of Bill Crane, published 2017, Ithaca Press
     In April of 2016, I met my long-lost daughter Rae Ann. Considering my relationship with her mother, I suppose I should have expected an unhinged moment. Rae Ann did not disappoint. She accused me of heinous crimes against her. She’s messed up.  I guess I should have been there for her. Being on tour eleven months out of the year took its toll on my family. I probably shouldn’t have had a child. Hindsight is always 20/20. Enough about that…
  1. Interview with Darleen Crane, published in Rolling Stone magazine, July 2018
Mrs. Crane: I was blind not to see what Bill did. He can put whatever spin he wants on his actions, but Rae Anne wouldn’t have been as sick if he hadn’t hurt her. I blame him. He can take his damn autobiography full of lies and shove it.
  1. Hope 4 All Treatment Center
 
Date:  8.11.18
Client Identification Number #: M4005-64534
Name: Rae Anne Crane
No contact from client in months. Case closed.
Practitioner:  Sondra Gray, LICSW


Author

Embe Charpentier's two novellas were published by Kellan Books. Her shorter works have been published by interesting lit mags all over the Internet. Writing is nightlife; daytime life is high school English teaching. 

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American Psycho

3/23/2018

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He’s white;
national treasure, homegrown hero.
A thoroughbred symbol of the
American psyche.
 
His status is irrefutable
until the very moment his actions
vilify him.
 
‘He’s a monster,’ they say.
‘He’s disgusting,’ they cry.
‘He’s the enemy,’ they growl --
But vilifying his pigment isn’t part of the narrative.
 
Psychopath? Maybe.
Evil? Guilty.
Terrorist? Never.
 
His skin tone is the ultimate shield;
it’s Teflon, it’s immunity.
It allows for Columbine repeats, and
his race will never come into question.
 
It’s privilege.
Male privilege — white privilege.
Heterosexual, American privilege.
 
It’s his right--it’s his right--it’s his right--
his right--his right--his right--
he’s right--he’s right--he’s right--
he’s white.


Author

Maxwell Kamlongera is a freelance writer who pursues creative writing in his available time with short stories and poems. His work has appeared in Rigorous Magazine, African Writer, and Freelit Magazine.

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Cowboy

3/22/2018

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Previously published in Raven Chronicles and Hairway to Heaven Stories

Catherine practiced saying his name again and again, letting the letter N slide back to the farthest point. She would let the letter N slide just to the edge of swallowing it. Even then, she would let the letter linger, feeling the vibration of N tickling her throat.
            After nearly swallowing the sound of N, Catherine would let the rest of the name swim from her mouth. Ganga. Like a river, that part of the name. A dark, slow-moving river filled with thick silt, a thick river shaded by ancient trees. A tropical river winding through heat. That kind of river is how Catherine pictured the rest of the name, Nganga.
            Nganga was born only a short walk from the Congo River, in the city of Brazzaville, in Africa. He appeared taller than the measure from the top of his head to the slight arch in his foot. He was lean as a long-distance runner, with arms built for a body accustomed to hard work. In certain light, Nganga’s skin appeared almost blue, he was so black.
Catherine was pale as certain sea-worn shells. Her short hair fell in white-blond wisps around her face. She had eyes the color of lake water under a thin layer of ice. When Nganga made love to Catherine, he held her leg up next to his chest, her skin luminous next to his.
            It was Nganga’s face, though, that Catherine felt inclined to recall at moments when her mind drifted. His cheekbones were high, beckoning her index finger to slide down them. When he smiled, Catherine thought his face must be that of a favorite first child.
            There were some who accused Catherine behind her back of having an obsession with black men. But it was Africa, a country she’d visited once as a child and forever after craved, that attracted Catherine to men such as Nganga.
            Her friends understood that the men with their bead-wrapped hair and easy joking ways provided Catherine an escape from her stiff Minnesota Lutheran upbringing. The daughter of a devout minister, Catherine had been drawn to art because on good days, the press of a paint-soaked brush against canvas made her feel free. Too often, though, the pious, overly shy girl she’d been slipped onto the stool in front of the easel, causing Catherine’s brush to stall and bringing on a storm of angry tears.
            Nganga spotted Catherine the moment she walked into the club. Watching her dance, Nganga thought of the reeds that bent down by the river in the quiet breeze back home. He could see how she let the music ride her, from her feet on up to her hips that rocked like a boat over small waves and her arms that swayed and her hands that sometimes cradled the fingers of her partners.
            Catherine couldn’t explain even to herself what drew her to the little club at the end of the road that ran all the way to the airport. She couldn’t recall how she’d heard that two nights a week the club played African music from nine until two and attracted immigrants from all across that vast continent. But Catherine knew how she felt the moment she stepped in the door and heard the drums’ fierce rhythms and the haunting wail of the horns and the sweet high sound of Youssou N’Dour singing.
            Nganga didn’t say a word but simply took Catherine’s fingers in his hand and started dancing. He was pleased to see that she found the rhythm almost instantly and they moved into that place where music and steps, her hips and his, couldn’t be separated. It was that joyous place he came to in the dark and he knew without speaking that this lovely thread of a woman had gone there with him.
            When Nganga told Catherine his name, after handing her a glass of wine, and then said that he had been born in the Congo, Catherine tasted the N for the first time on her tongue and afterward wetted her lips with several drops of Chardonnay. Right after that, as Nganga took her hand and said he wanted to dance some more, Catherine knew she had entered her place, the Africa in her mind. The weather was hot and thick with mosquitoes and damp from the humidity. Everyone moved slowly there, in bare feet, and women languorously swayed their wide hips. Africa was not ever cold or lonely. The people were all around her. Children played with her hair. Their fingers couldn’t get enough of those platinum locks. Africa was bare-armed and playful, smiling and warm. And Africa was there in that club, with a man whose teeth gleamed in the low light and whose fingers held hers so easily.
            Nganga too felt himself traveling back to Africa, before he’d left everything behind. He didn’t like to think about his family there and he especially didn’t want to think about his mother. She had begged him not to go so far away from home. She had warned him that life would be hard.
            But Nganga had fallen in love with a woman named America. With that woman, Nganga knew he could be free. In America, he wouldn’t have to worry about his family. In America, he wouldn’t even have to marry. He’d go to America and learn to fly a plane. Then he could travel anywhere. And when he wasn’t flying Nganga would ride, his very own horse that he planned to buy, because what Nganga dreamed about even more than flying was becoming a cowboy.
            It was easy then for Catherine and Nganga to step out of the club and expect to see one another again. On the corner of a napkin, Catherine wrote her name and phone number. She watched as Nganga looked at what she’d written. Then Nganga folded the small bit of paper even smaller and smiled when he said, “I will call you.”
            Nganga’s friends thought he was only interested in Catherine for her white skin. But Nganga understood something more. Catherine was the woman Nganga had fallen in love with long before he had ever left his home, a short hot walk away from the Congo River. Catherine was the woman he’d known then only as America.
            Nganga and Catherine drank bottles of red wine, staining their teeth and causing them to sleep late into the afternoon. Nganga lived in an apartment with bare walls, on busy Martin Luther King Boulevard, where he and Catherine made loved wrapped in sky blue sheets. When they made love Catherine said his name, Nganga, after letting the name soak in the dampness at the back of her throat.
            “I am very black, no?” Nganga said to Catherine the first time they made love. “In Africa, we do not have so much mixing like you have here. That is why we stay this way. Black. Very, very black.”
            Catherine wanted to tell Nganga how beautiful she found his skin. She yearned to say how happy it made her, watching him walk naked in the white room, but then Nganga would start kissing her again and touching her in ways that made her lose all thought for words and only sounds could slide out through her lips.
            Each time Nganga left Catherine, a melancholy would wrap around her and the mood wouldn’t lift until she heard Nganga’s voice on the phone. She could feel herself grow lighter as soon as he began the soft French dusting of her name, when he took a long time to say Catherine, resting in the center, before moving on to the th at the end.
            Sometimes weeks would pass without a call from Nganga, weeks in which Catherine could barely get out of bed. She didn’t tell Nganga what happened to her when he didn’t call because she knew he feared her needing him.
            “You want to know too much about me,” Nganga said to Catherine over dinner when they first met. “I feel like you are shining a bright light in my eyes.”
            Later, Nganga explained, “I like to have my freedom.”
            When Catherine wasn’t around, Nganga listened to country and western music and dreamed of becoming a cowboy. He checked books on black cowboys out of the downtown library and even went to a rodeo when the black cowboys were in town. Nganga always wore blue jeans and a pressed blue work shirt, with a polished pair of cowboy boots, which he pulled off using a special wooden device.
            Nganga never told Catherine that for him, making love was like riding a galloping stallion, feeling the power of the animal beneath him, the muscles moving warm and wet with sweat. Those muscles gave up their strength to Nganga, up through his thighs to his chest and his arms, making him feel like he could do anything. That power would build and flood Nganga with a light, and just when the light became almost more than Nganga could bear, there would be an explosion of color and a melting in his thighs, that would cause all the power to rush out of him. That power would storm headlong into Catherine, as her light soaked his up.
            That’s when Nganga needed to get away from Catherine, to pull his shadow back.
            “They say that black is beautiful,” Nganga said one night to Catherine, his naked body stretched out on the blue sheet. “What do you think? Do you think that black is beautiful? Do you think that Nganga is beautiful?”
            “I think that Nganga is like a dark river,” Catherine said. “The river is beautiful because we can’t see the harm it can do.”
            “What are you saying? Are you saying that Nganga is dangerous?”
            “I’m saying that beauty can be dangerous. Everyone has a fascination with darkness. But sometimes there’s a price.”
            “There is no price for me,” Nganga said and laughed. “I am completely free.”
            “But freedom comes with a price. Don’t you see? The way you become free is by taking power from me.”
            “I take your power? You can do anything you want. I am not stopping you. I do not care if you see another man, as long as you do not tell me about it. You are free to do whatever you like.”
            Nganga stopped talking for a moment and looked into Catherine’s eyes.
            “It is you who is giving up your power,” Nganga said. “It is you who does not want to be free.”
            A month passed after that without a call from Nganga. Catherine stayed awake nights, brooding about his absence. She ran through her mind the names of the men before Nganga, men who had left her, each of those men taking a part of her away.
            One morning when the month was nearly at an end, Catherine noticed a mauve light saturating the sky. She headed out of her apartment and walked one block west toward the park. After passing under the first of the tall eucalyptus trees, she took a right turn and headed for her favorite spot. The lake was at the top of a steep path and when she arrived next to it, she stopped and studied the patterns of early morning light reflected in the silent pool.
Catherine spent the whole rest of the day outside. In the late afternoon, she stepped through sand on the beach, listening to the gulls cry and noticing how the sun at that hour seemed to pull the light right out of the water and drop it in her eyes.
            Catherine stayed on the beach and watched the sun fall down toward the horizon, until a ball of orange rested at the top of the sea. She continued to watch the sun drop and spread its rays through the water, turning the sky into a pastel palette. Sometime later, the moon came out, bright and full. She watched the reflection of the moon hover over the ocean.
            “This is Cowboy,” the voice on the other end of the phone said that evening after she returned home.
            Catherine held the receiver to her ear without speaking.
            “This is me,” the voice said. “Don’t you know who this is?”
            “Of course I know who it is.”
            “Well, how are you?”
            Catherine suddenly felt the warmth she had pulled into her that day slip out.
            “I’m very gray,” Catherine said.
            “You should go out more,” Nganga said. “Go out and sit in the sun. You are too pale. Some sun would do you good.”
            The next morning Catherine set her easel by the window for the first time since she had met Nganga. She stretched a sheet of clean canvas over the thin plywood slats, pulling it tight at the corners and smoothing the surface with the palm of her hand. She thought about the canvas, clean and tight like a drum, and wondered if she still knew how to move the images from her head onto the brown-flecked surface.
            The light fell from the window in a bright thick swath. Catherine prepared the surface for painting, applying layers of shiny white paint until the canvas gleamed. Holding the wooden palette in her left hand, she mixed black with burnt sienna and imagined a dark river, curved and thick like a leg. She imagined the river might explode and run with an uncontrollable force that would shatter everything in its path.
            Catherine painted one leg of the river on the canvas and then painted another. Two legs stretched out and spread. Then she thought of volcanic hills, silent now, but holding fiery passion within them. She painted the buttocks smooth and round and thought of a jaguar moving, its strength so effortless, a ballet of hip and leg.
            “I keep calling you, but you do not answer the phone,” Nganga said, several weeks after Catherine started painting.
            “I’ve started to paint again. I don’t like to be interrupted when I’m painting.”
            Nganga wasn’t sure why, but when he hung up the phone, he felt an unfamiliar sorrow slip over him. The sorrow pushed down hard on his shoulders, making him dizzy and weak. He lay on the bed and the sorrow washed over him like a fever.  He put his hand on his forehead, but the skin felt cold. He didn’t know what was happening to him, but he forced himself up to dress, stopping on his way to Catherine’s apartment to buy her a white rose.
            “I miss you,” Nganga said, holding the rose out to Catherine as she stood in the doorway.
            Catherine’s white hands were spotted with dark brown paint.
            “I think you are beginning to turn black,” Nganga said, pointing to the spots.
            “I don’t know what’s happening,” Catherine said. “I just know something is going on.”
            In the dark, Nganga whispered, “Something is happening to me too.”
            “What is it?” Catherine said, stroking the side of his face.
            “I think that I,” Nganga said, slowly pulling the words out of his mouth, as if he would find what he wanted to say as soon as the words emerged.
            Catherine listened to Nganga’s breath, rising in the still air.
            “I think I need you,” he said.
          Catherine made love to Nganga that night as if he were a beautiful black jaguar she’d decided to ride. She wrapped her thighs around him, letting his heat warm her. From Nganga, Catherine pulled power and energy into her calves and up to her thighs. She rode Nganga, taking his name like a hot lozenge on her tongue and, as the name melted to liquid in her mouth, she swallowed. She let the force of that dark river swirl through her and then pulled out its thick wet sound.
            The next morning she could hear the sound of it, like a drum skin stretched tight and rubbed with the wet tip of a thumb. She lay in bed after Nganga had gone, the call of his name a soothing echo to the comforting rhythm of her heart.


Author

Patty Somlo’s most recent book, Hairway to Heaven Stories, a linked short story collection set in a gentrifying African American neighborhood, was just published by Cherry Castle Publishing. Her previous books have been Finalists in the International Book Awards, the Best Book Awards, the National Indie Excellence Awards, and the Reader Views Literary Awards. She won Honorable Mention for Fiction in the Women’s National Book Association Contest, was a Finalist in the Adelaide Voices Literary Award for Short Story, has been nominated for the Pushcart Prize, Best of the Net and the story South Million Writers Award, and had an essay selected as Notable for Best American Essays 2014. 

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